Unemployed and recently dumped, Daniel spends his days eavesdropping on his roommate who works from home as a therapist. He soon develops an obsession with one of her clients, a ruggedly masculine divorcee with explosive anger issues.

A teacher opens a time capsule that has been dug up at his son's elementary school; in it are some chilling predictions -- some that have already occurred and others that are about to -- that lead him to believe his family plays a role in the events that are about to unfold.

Right Right starts off with Ravi joining his duty as a bus conductor in a small village. Very quickly, he establishes a good rapport with the driver Seshu as well as the regular commuters. One fine day, when Seshu gets badly drunk during his duty, Ravi is forced to drive the bus back home. During the journey, Ravi hears a sudden sound in front of the bus and thinks he hit someone. He get’s down to find a man under his bus, who is barely alive. It is the remake of Malayalam film Ordinary.

Dolph Springer wakes up one morning to realize he has lost the love of his life, his dog, Paul. During his quest to get Paul (and his life) back, Dolph radically changes the lives of others -- risking his sanity all the while.

Hamburg, St. Pauli, New Year's Eve. Oskar Wrobel runs a music club in an old hospital at the edge of the Reeperbahn. While fireworks go off in the streets of St. Pauli, he prepares the big final party - the club has to close. Thankfully there is no time to think about it because the chaos is breaking into his living room, all while hell break loose at the club. The film, based on the novel by Tino Hanekamp, was filmed with hundreds of extras attending a real-life three-night-long party.

Amazon.co.uk Review 　　Ah-Ha! In 1995 Norwich's most famous son Alan Partridge made the transition from radio to TV with Knowing Me, Knowing You, a chat-show so wholly misunderstood that one clever-clog TV critic described it as "moribund". By way of rebuttal, just consider Alan's parade of fantastic guests, including a hypnotist who persuades Alan that he's an owl; a US pop diva with whom Alan shares a memorable Abba duet that happens to be in all the wrong keys for him; raunchy male dance-act Hot Pants; Cirque des Clowns, whose extreme violence upsets Alan; and, most exciting of all, Roger Moore (via mobile phone from a traffic jam on the Chiswick roundabout). 　　Steve Coogan's creation fell on hard times later--as chronicled in the magnificent I'm Alan Partridge Series 1 and Series 2--but here he's revelling in his prime-time exposure with no thought of becoming "clinically sad" or gorging on Toblerone bars. Co-writers Armando Iannucci and Patrick Marber lovingly recreate everything that's fake and contrived about the whole chat-show genre: the shameless plugging, the recalcitrant celebs, the novelty acts and, most of all, the insufferably smug host oblivious to his own tediousness. Coogan's regular guests are ably played by some faces familiar from The Day Today: Rebecca Front, Doon MacKichan, David Schneider and Patrick Marber himself. Other game guest stars are John Thomson (as a naval officer also called Alan Partridge) and Minnie Driver (as a transsexual agony aunt), not forgetting Steve Brown as disconcertingly gay music director Glen Ponder. 　　The high-water mark of Alan's career arrived with his Christmas special Knowing Me, Knowing Yule in which his own living room was lovingly recreated at Television Centre. Unfortunately, and despite the presence of Mick Hucknall, the new Chief Commissioning Editor of BBC TV, Tony Hayers, is deeply unimpressed with the show and gets punched in the face by Alan, who, it turns out, is handy with a turkey. On that bombshell, Alan's career took a downward turn.

Amazon.co.uk Review 　　Ah-Ha! In 1995 Norwich's most famous son Alan Partridge made the transition from radio to TV with Knowing Me, Knowing You, a chat-show so wholly misunderstood that one clever-clog TV critic described it as "moribund". By way of rebuttal, just consider Alan's parade of fantastic guests, including a hypnotist who persuades Alan that he's an owl; a US pop diva with whom Alan shares a memorable Abba duet that happens to be in all the wrong keys for him; raunchy male dance-act Hot Pants; Cirque des Clowns, whose extreme violence upsets Alan; and, most exciting of all, Roger Moore (via mobile phone from a traffic jam on the Chiswick roundabout). 　　Steve Coogan's creation fell on hard times later--as chronicled in the magnificent I'm Alan Partridge Series 1 and Series 2--but here he's revelling in his prime-time exposure with no thought of becoming "clinically sad" or gorging on Toblerone bars. Co-writers Armando Iannucci and Patrick Marber lovingly recreate everything that's fake and contrived about the whole chat-show genre: the shameless plugging, the recalcitrant celebs, the novelty acts and, most of all, the insufferably smug host oblivious to his own tediousness. Coogan's regular guests are ably played by some faces familiar from The Day Today: Rebecca Front, Doon MacKichan, David Schneider and Patrick Marber himself. Other game guest stars are John Thomson (as a naval officer also called Alan Partridge) and Minnie Driver (as a transsexual agony aunt), not forgetting Steve Brown as disconcertingly gay music director Glen Ponder. 　　The high-water mark of Alan's career arrived with his Christmas special Knowing Me, Knowing Yule in which his own living room was lovingly recreated at Television Centre. Unfortunately, and despite the presence of Mick Hucknall, the new Chief Commissioning Editor of BBC TV, Tony Hayers, is deeply unimpressed with the show and gets punched in the face by Alan, who, it turns out, is handy with a turkey. On that bombshell, Alan's career took a downward turn.

Jen and a group of friends set out to hike the Appalachian Trail. Despite warnings to stick to the trail, the hikers stray off course—and cross into land inhabited by The Foundation, a hidden community of mountain dwellers who use deadly means to protect their way of life.

When Anna has a difficult time getting close to people, her sister creates a dating profile for her online. Anna starts to message a handsome man until she starts getting disturbing messages that a match is close by.

Two girls are driving home when their car breaks down in the country. They are kidnapped by a gang of drug-crazed hippies, and repeatedly raped. They escape, but soon run into a death cult who plan to gang-rape the girls, then kill them. Meanwhile, the father of one of the girls gets the police to begin an investigation into their disappearance.